Voice Box: a comprehensive collection of contemporary vocal samples from multiple voices, a set of playable vocal instruments, and Effect Racks designed for vocal processing. Performance Improvements: a complete overhaul of Max for Live’s user interface integration means a smoother experience when working with Max for Live devices, including improvements to focus, positioning, scrolling behavior, and performance. A new Max for Live category in the Inspector Window allows developers to more clearly indicate which systems their devices can be used on, and much more. Double-clicking an error in the Max Console jumps the cursor to the device causing the error. Improvements for Device Creators: a new live.scope object adds an oscilloscope to the object library. Inputs and outputs are routable and show up in a track’s MIDI From and MIDI To choosers. MIDI Channel Routings: it is now possible to route MIDI to and from Max for Live audio effects and instruments. You can also now access slices of a sample loaded in Simpler, a clip or sample’s warp markers, and much more. New API Additions: a redesigned, MPE-compatible note API gives Max for Live access to Live 11’s new note features - probability, velocity deviation, and release velocity. What’s more, all of the loop-/riff-based arrangement options are still available on the timeline, so you can continue to edit and build on your song, even after you record it to the Session View. And when you record your progression to the linear Arrangement View, you add the possibility to record lead lines and other performances that fall outside the rest of the song structure. Using scenes makes it easy to arrange entire songs in parts (verse, chorus, etc). In addition to launching individual clips, you can launch entire scenes complete with automatic advancement to subsequent scenes, scene repeat instructions, and other logic options. In fact, the songwriting tools don’t stop there. Since everything from modern electronic music to classic rock and blues is heavily based on repeating sections, Live’s Session View makes it an ideal creative tool for all kinds of songwriters. 
Launched individually, these loops let you experiment with your arrangements, trying out various combinations of grooves and riffs. Clips are usually short pieces of audio or MIDI a few measures longer or shorter, which loop to create grooves. Each scene contains a slot on each channel for a clip.
Where Live differs from other DAWs is its Session View, which puts individual tracks on the X axis and scenes on the Y axis. The Arrangement View is more or less a standard linear DAW, with time on the X axis and tracks on the Y axis. There are two main parts to Live: the Arrangement View and the Session View. That largely has to do with the way Live lets you construct tracks and play with audio in real time.
From the beginning, Ableton Live has been as much a creative tool as a DAW.
0 kommentar(er)
